Oil on Canvas


Title: “5784” 


“5784” is an artwork that delves into the fascinating concept of the Mandela Effect, exploring the misperceptions and the distortion of historical events that have been experienced by various communities, particularly in the context of Ukraine and the Jewish Menorah.

The painting centers around a visually compelling representation of the Menorah, a significant symbol in Jewish culture, fused with elements of Ukrainian heritage. This amalgamation symbolizes the blurred lines between fact and fiction, highlighting how history can be distorted or misrepresented due to political, religious, or cultural perspectives.

The background of the painting is a blend of vibrant and swirling colors, illustrating the interconnectedness of memories and the malleability of collective beliefs. The hues evoke a sense of uncertainty and fluidity, reflecting the varying recollections that contribute to the Mandela Effect.

Incorporated within the artwork are subtle references to events and narratives that have been subject to misinterpretation or manipulation. The juxtaposition of historical elements serves as a reminder of the need for accurate and unbiased understanding, especially in the face of complex socio-political circumstances.

“5784” prompts viewers to question and reevaluate their perceptions, acknowledging the nuances of historical truths and the impact of distorted narratives. Through this piece, the artist seeks to encourage a deeper understanding of how collective memory can shape beliefs and how critical examination is vital in dispelling misconceptions that may lead to division and misunderstanding.

How it was painted


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